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‘Spotlight’ Director Tom McCarthy Eyeing ‘Timmy Failure’ at Disney
McCarthy would also co-write the pic with the book’s author, Stephan Pastis.
The popular book series centers on an 11-year-old boy who believes he is the best detective in town and runs the agency Total Failure Inc. with his partner, a 1,200-pound, imaginary polar bear, and his sidekick Rollo Tookus.
Jim Whitaker, who has a strong track record with the studio producing such tentpoles as “Pete’s Dragon” and “A Wrinkle in Time,” will produce.
Though better known for his adult fare like “Win Win” and “Spotlight,” McCarthy has always been drawn to family friendly stories, going back to when he penned the baseball movie “Million Dollar Arm.” He recently did a rewrite on “Christopher Robin,” a live-action take on the “Winnie the Pooh” tale, and was also a writer on Pixar’s “Up. »
- Justin Kroll
Wes Anderson’s Next Movie ‘Isle of Dogs’ Gets Poster, Premiere Date
The animated film — which has a massive, star-studded cast including Wes Anderson regulars Edward Norton, Bill Murray, and Jeff Goldblum as well as virgins of the auteur Bryan Cranston and Liev Schreiber — is set in Japan and follows a boy’s odyssey to find his dog.
As such, the poster features the Japanese language translations of all of the billings, as well as the title in massive red characters.
While the stop-motion film’s plot may sound ordinary, in typical Wes Anderson fashion, it’s sure to be creative. For starters, a video released in December revealed that the dogs talk.
The poster features five of the dogs, although it is not identified which actor voices which pup. »
- Erin Nyren
Adam Sandler, Chris Rock to Star in Netflix's 'The Week Of'
The Grown Ups actors will reunite in the comedy directed by frequent Happy Madison collaborator Robert Smigel, who co-wrote the script with Sandler. It centers on the week before a wedding in which their characters' kids get married. The film will begin production in Long Island, New York this summer, and debut on Netflix globally in 2018.
The Week Of is the final title »
- Ashley Lee
Madonna Doesn’t Approve of Movie About Her Life: ‘Only I Can Tell My Story’
Madonna has condemned Universal for its planned movie about her life. On Monday, the studio announced it had picked up rights to Elyse Hollander’s script for “Blonde Ambition,” a biopic about the rise of the famed pop star. Hollander’s script was ranked No. 1 on the Blacklist, a list of the best screenplays in Hollywood that have yet to be produced.
Madonna had remained silent on the project until Tuesday, when she took to Instagram to voice her displeasure. “Nobody knows what I know and what I have seen, »
- Nigel M. Smith
Disney Dates ‘Lion King’ and ‘Frozen 2,’ Pushes Fifth ‘Indiana Jones’ Film to 2020
Disney dated a slew of films on Tuesday, including “Star Wars: Episode IX,” the live-action “Lion King” reboot, and “Frozen 2.” It also moved the release dates for “Indiana Jones,” “Wreck-It Ralph 2,” “Wrinkle in Time,” and others.
Here’s the studio’s full release schedule:
Untitled Disney Fairy Tale (Live Action) previously dated on 7/28/17 moves to 8/3/18
A Wrinkle In Time (3D) previously dated on 4/6/18 moves to 3/9/18
Magic Camp is final title of previous Untitled Disney Live Action – previously dated on 8/3/18 now moves up to 4/6/18
Gigantic (3D) previously dated on 11/21/18 moves to 11/25/20
Star Wars: Episode IX (3D) now dated on 5/24/19
Untitled Indiana Jones previously dated on 7/19/19 moves to 7/10/20
The Lion King (Live Action) (3D) now dated on 7/19/19
Untitled Disney Live Action now dated on »
- Maane Khatchatourian
Michael K. Williams Joins Chris Evans in True-Life Drama ‘Red Sea Diving Resort’ (Exclusive)
Previously titled “Operation Resort,” the film will be written and directed by “Tyrant” executive producer Gideon Raff. Bron Studios, which backed “Fences,” is fully financing the movie. Alexandra Milchan is on board to produce “Red Sea Diving Resort,” which begins shooting this summer.
Raff had originally sold the pitch to Fox Searchlight, but recently put it back on the market, with Bron Studios now coming on to finance.
Han Solo Spinoff Eyes Michael K. Williams in Key Role (Exclusive)
The film is based on the 1981 rescue of Ethiopian Jews from Sudan. The story picks up in 1977, when Israel’s Mossad spy agency was given an assignment far different from its usual cloak-and-dagger activities. It was ordered by then-Prime Minister Menachem Begin to rescue thousands of Jewish men and »
- Justin Kroll
Alexandra Shipp Boards Simon Kaijser’s Thriller ‘Spinning Man’
Exclusive: Alexandra Shipp, last seen as young Storm in X-Men: Apocalypse, is set to co-star in the upcoming psychological thriller Spinning Man, from director Simon Kaijser. She joins Pierce Brosnan, Guy Pearce and Minnie Drive in the pic written by Matthew Aldrich, with filming slated to begin this week. Based on George Harrar’s novel, the pic follows Evan Birch, a professor and family man, whose past reveals a number of illicit relations with his students. When a young… »
Netflix’s ‘Outlaw King’ May Reunite ‘Hell or High Water’ Stars Chris Pine & Ben Foster
David Mackenzie’s sweaty western heist film Hell or High Water was ripped straight from the headlines last year, depicting the aftermath of the mortgage crisis as a Robin Hood-style revenge thriller. It resonated with audiences and critics alike, earning four Oscar nods and catapulting Mackenzie to a higher level of recognition. For his follow-up film, Mackenzie is looking to reteam with stars Chris […]
- Ben Pearson
Chris Pratt Gives ‘Suicide Squad’ Some Critical Tips; Zoe Saldana Delivers An ‘Avengers’ Spoiler?
Only yesterday, we learned that one of the reasons that the title for the fourth “Avengers” movie in 2019 hasn’t been revealed yet, despite the film being two years away, is that Kevin Feige considers it to be something of a spoiler for future “Avengers” movies. Well, nobody gave the memo to Zoe Saldana, who even before the day was out might have managed to spill the beans on that secret title.
- Oliver Lyttelton
Faye Dunaway Felt ‘Very Guilty’ About Best Picture Mistake at the Oscars
Faye Dunaway is finally speaking out about her role in #EnvelopeGate, two months after the now-infamous 89th Academy Awards best picture gaffe.
The Oscar-winning “Network” actress sat down with anchor Lester Holt on “NBC Nightly News” Monday, recounting the moments leading up to the mistake.
“[Beatty] took the card out, and he didn’t say anything. He paused, he looked over me, off-stage, he looked around, and I finally said, ‘You’re impossible.’ I thought he was joking! A dramatic pause.”
The confusion was cleared up moments later when the “La La Land” producers were informed they had lost, prompting both movies’ casts and crews to awkwardly crowd the stage.
While the mix-up »
- JD Knapp
Yu Ji-tae to feature in Lars von Trier's 'The House That Jack Built'
Old Boy star becomes first Asian actor to appear in a von Trier movie.
Korean actor Yu Ji-tae, known for playing the villain in Old Boy, is featuring in The House That Jack Built – the upcoming film from Lars von Trier, controversial Danish director of films such as Nymphomania and Melancholia.
This will be the first time an Asian actor has featured in a von Trier film, according to Danish sales agent TrustNordisk and Korean distributor Atnine Film.
Atnine, which previously distributed Nymphomania, discussed Yu with TrustNordisk for the as-yet-undisclosed short role. The two companies suggested the actor to the filmmakers, as confirmed by production company Zentropa.
The House That Jack Built takes place in America in the 1970’s and over the course of 12 years charts the evolution of a serial killer called Jack.
Matt Dillon stars as Jack, joined by [link »
- firstname.lastname@example.org (Jean Noh)
Paul Verhoeven plots lesbian nun drama with 'Elle' star Virginie Efira
Producer Saïd Ben Saïd announces production of Blessed Virgin on twitter.
Paul Verhoeven is gearing-up to shoot his second French-language production Blessed Virgin (Sainte Vierge), an adaption of Judith C. Brown’s academic work Immodest Acts: The Life Of A Lesbian In Renaissance Italy.
— Saïd Ben Saïd (@saidbensaid66) April 25, 2017
Sbs confirmed the news on Wednesday but had no further details to add.
Having entered a convent in the Tuscan town of Pescia as a child, Carlini rose-up the ranks, propelled by her claims of a series of lurid mystic »
Heal the Living review – heart-rending tale of a cardiac patient
Katell Quillévéré’s polished mosaic of interconnected lives is intelligently acted and visually arresting but its organ donation storyline is a little glib
Katell Quillévéré’s first two pictures, Love Like Poison and Suzanne, established her as a film-maker of delicacy and grace; this third feature is based on the novel by Maylis de Kerangal, adapted by the director with veteran screenwriter Gilles Taurand.
It is every bit as beautifully made and intelligently acted as you might expect, with some wonderful visual imagery at the very beginning. Yet I was disappointed. The organ donation storyline is a readymade trope, bringing together disparate life stories; it creates its own internal narrative economy of donor and recipient. But it’s a rather Hollywoodised high concept, reminiscent of Alejandro González Iñárittu’s 21 Grams or even, frankly, a slushy romantic weepie from 2000 starring Minnie Driver called Return to Me. Those films had the idea »
- Peter Bradshaw
Max Richter, ‘The Leftovers’ Composer, Signs With Decca Publishing
German composer Max Richter, whose ambient, post-minimalist style has made him popular with directors as from Michael Scorsese to Michael Bay, is the first artist to sign a long-term, global publishing deal with Universal Music’s newly launched Decca Publishing.
Richter has been the composer of record on HBO’s “The Leftovers,” now in season three, and excerpts from his 10-hour album “On the Nature of Daylight” can be heard in Scorsese’s 2010 film” Shutter Island” and 2016’s “Arrival” (which its integral use to bookend the narrative resulted in Oscar disqualification for Jóhann Jóhannsson’s score).
Richter’s music was also a standout among Super Bowl 51 syncs, providing the evocative backing track to Paramount’s promo for this summer’s “Transformers: The Last Knight.” For all that, Richter is still a relative unknown in mainstream entertainment circles, something Universal and Decca plan to change.
“Max Richter is one of »
- Paula Parisi
Feature documentary about civil rights activist Michael X in the works
Exclusive: Film to be introduced at Cannes market; Amy archive producers onboard.
Clint Dyer co-directs with Gabriel Clarke. Clarke previously co-directed Steve McQueen: The Man & Le Mans (with John McKenna), which was in Official Selection at Cannes in 2015. He is also an award-winning sports broadcaster.
Director, writer and actor Dyer directed the Olivier-nominated production The Big Life, and is currently developing a new play on Michael X for Stratford East.
Michael X will be produced by Noah Media’s Victoria Barrell and John McKenna and executive produced by Tristan Whalley and Jessie Mangum of Goalpost Film, who will introduce the project to buyers at Cannes this year.
Dog & Duck Films, who worked on Amy and Senna, are the archive producers.
Michael X (born Michael de Freitas) emerged as a leader »
- email@example.com (Orlando Parfitt)
China Sets Day-and-Date Releases for ‘Transformers,’ ‘Despicable Me’
At least four major Hollywood films will enjoy day-and-date theatrical releases in China in June. Regulators have approved new outings for “Wonder Woman,” “Cars 3,” “Transformers: The Last Knight,” and Despicable Me 3.”
Warner Bros.’ “Wonder Woman” will release in China on June 2, in a day-and-date outing aligned with the North American and international outings.
Disney’s “Cars 3” will release in China on June 16, simultaneous with the sequel’s North American release.
“Transformers” has been given a June 23 slot in China, again a day-and-date with North America.
Universal’s Illumination Entertainment-produced “Despicable Me” will reach Chinese audiences on June 30.
In an earlier announcement, Disney revealed that Shanghai will host the world premiere of “Pirates of the Caribbean: Dead Men Tell No Tales” on May 11, ahead of a commercial release on May 26.
The Hollywood studios are not permitted to handle release of their own films in China. Those titles imported »
- Patrick Frater
‘Sense8’ Season 2 Review: No More Learning Curve, As Lana Wachowski Revs the Show Forward
The best way to enjoy “Sense8” as a series is to not question it too much. It’s a show that has a lot of complicated elements, with Season 2 continuing to expand the mythology that creators J. Michael Straczynski and the Wachowskis built from scratch in Season 1, but if you find yourself asking too many questions about the rules that govern this world, you’ll find yourself lost in the weeds.
This isn’t to say that the show doesn’t have an intriguing plotline, which only gets denser and richer in Season 2. But you’ll be missing the best aspects of a show that leads with its heart, first and foremost. In telling this story about eight once-upon-a-time strangers who find themselves bonded together by a psychic link, the creators have chosen to celebrate the sense of connection that underlies this premise.
If you watched Season 1, you know what we’re talking about. »
- Liz Shannon Miller
Nick Broomfield on his damning Whitney Houston film: 'She had very little control over her life'
The director spoke to the bodyguards, backup singers, hairdressers and promoters who formed the star’s inner circle. The result is a tragic, uncompromising portrait of a woman forced to conceal her true self
The title of Nick Broomfield’s new documentary about Whitney Houston echoes a question she often asked herself: “Can I be me?” Apparently, she often could not. According to Broomfield’s damning film, Houston had to repress her true self throughout much of her life, due to a perfect storm of factors, which included her controlling mother, Cissy Houston; her pushy record company, Arista; her co-dependent husband, Bobby Brown; her conflicted sexuality; and the mountain of drugs she used to blot all of that out.
“Having to be someone else – to play the ‘Whitney character’ – was something that became impossibly difficult,” says Broomfield. “From an early age, she had very little control over her life.”
Continue reading. »
- Jim Farber
Tribeca Film Review: ‘The Divine Order’
The long-fought battle for women’s suffrage in America ended in 1920, but it wasn’t until 1971 that Switzerland granted its female population the right to vote. “The Divine Order” revisits this fight for equality through the fictional lens of a housewife in one of the country’s remote villages, where her mounting desire for autonomy and actualization is opposed by backward-thinking cretins of both genders. Though the film’s feel-good construction undercuts its ability to surprise, Petra Volpe’s cine-history lesson, which premiered at the Tribeca Film Festival, remains a mainstream crowd-pleaser adept at inspiring and amusing in equal measure.
Nora (Marie Leuenberger) spends her days doing laundry, making beds and vacuuming around her domineering father-in-law, and her nights cooking and caring for husband Hans (Max Simonischek) and their two sons. At first, see seems agreeably submissive to this life of routine servitude. But unfamiliar stirrings of outrage over her »
- Nick Schager
Tribeca Film Review: ‘One Percent More Humid’
“You used to be so original,” spits a spurned character to her partner near the end of “One Percent More Humid,” but from the outset, writer-director Liz W. Garcia’s indie drama plays like a tag sale of cinematic clichés, each one piled haphazardly atop another. A dreamy tale of guilt and grief whose affectations prevent any sort of genuine engagement with those emotions, this story about two girls coping with their role in the death of a friend has sporadic moments of genuine passion and humor. Mostly, though, it unravels at a pace far faster than it can spin the stories of its protagonists, limiting the prospects of this Tribeca Film Festival entry.
In an upstate New England university town, twentysomething Iris (Juno Temple) is joined by best friend Catherine (Julia Garner) to waste away the summer smoking weed and skinny-dipping at the local lake. Catherine’s so rich »
- Nick Schager
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