How Christopher Nolan’s ‘Dunkirk’ Team Captured the Sounds of Battle

How Christopher Nolan’s ‘Dunkirk’ Team Captured the Sounds of Battle
Movie audiences assume that the sounds on the screen were recorded during filming, and that maybe a second person added big effects like explosions. In truth, that’s both the misperception and the goal.

Warner Bros.’ “Dunkirk” presented unique challenges for the sound team. Richard King was supervising sound editor and says, “Usually you get a little useful material in production recordings. But with this,it was pretty much a blank slate.” That’s because it was filmed on the northwest French coast under harsh conditions including rain and wind, not to mention noisy Imax cameras.

The results are amazing visually. But aurally, it meant starting from scratch. “Basically, all we were able to use was just the voices,” says King. “[Sound mixer] Mark Weingarten did a great job with the dialogue; we only needed a few lines of looping,” but other sounds were unusable.

The Christopher Nolan script relates the 1940 events from three POVs: land, sea and air
See full article at Variety - Film News »

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