In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps. Explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town the police are pretty relaxed about it all. Despite everything, main rival (but nice) Amber Atkins won't be stopped. There could well be more death and disappointment to come. Written by
Jeremy Perkins <email@example.com>
During the opening number of the pageant, Michelle Johnson is wearing a "Hollywood" hat; near the end, she can be seen standing behind Amber Atkins with no hat at all. See more »
[being interviewed for the documentary]
I fell in love with the big apple last summer when I was visiting my brother Peter there. He followed his dream all the way to New York... Wait, this is Peter as Liza. This is him as Madonna...
[she kisses the picture]
This is Barbara.
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(referencing Hank's request to be freed from the car door) It is the policy of the documentary crew to remain true observers and not interfere with its subjects. See more »
From the moment front-runner Tammy Curry (Brooke Bushman) is blown to pieces on her sabotaged tractor, it's clear this beauty pageant will be fought tooth and nail. And it ain't gonna be pretty.
In the small Midwest community of Mount Rose, Minnesota, the Sarah Rose Miss Teen Princess contest is into the final furlong. But for all the sugar-coated spoutings of world peace and harmony hairspray, it's a question of victory by any means necessary - as a roving documentary film crew discovers.
In the Blue Ribbon rhubarb pie corner is Becky Leeman (Richards, rich kid daughter of former winner and rabidly proud officiating beauty pageant President Gladys (Alley). And in the red, trailer-trash corner is morgue make-up artist Amber Atkins (Dunst), championed by her boozy mother Annette (Barkin) and her mother's morally suspect best friend Loretta (Janney).
Casting wise it's spot on, as Alley launches with smiley, viper spitefulness into a beacon of single-minded hypocrisy, and is well matched by Richards, even if she looks the least convincing high school teenager since Stockard Channing's Rizzo enrolled in Rydell High. Dunst meanwhile blossoms into a very accomplished actress, and - together with Barkin and Janney - claims most of the prize lines.
If there's a weakness it's that the mockumentary approach doesn't always work, and the film drags on a little too long after a seemingly natural conclusion. Still, the dark laughs are consistent, and the parody of middle America's bizarre beauty contest fixation is spiked with some jolting shock tactics - from the nurse-assisted wheelchair dance by the reigning anorexic crown holder to Richards' hilarious (not to mention blasphemous) love song for Jesus - but such blackness never obstructs rooting for Dunst's likable teen. An outrageous, deliciously bad-taste classic.
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