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A small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life.
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups ... See full summary »
The president of Argentina, Hernán Blanco, is facing a very important decision. He is participating in a meeting between different state leaders, which takes place in La Cordillera. From ... See full summary »
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where... See full summary »
1977, during the days of the Argentinian Dictatorship. A former pilot and captain of the Argentinian Navy disobeys an order and becomes a fugitive in order to survive. He chooses to hide in... See full summary »
Damián, Marcelo, Luciano and Facundo are four friends, all in their thirties. They all share the following interests: music, friendship and women. All four of them fall in and out of love, ... See full summary »
Celina works at a remote tollbooth on a desert road, few days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough money to travel to Italy and find her mom.
Argentina, in the middle fifties. Sulamit is the daughter of German-Jewish refugees. Friedrich is the son of German-Nazis refugees. Both children are closely friends as times goes by ... See full summary »
Victor Tellez is a movie critic writing for a Buenos Aires newspaper of wide circulation. He is so much into Nouvelle Vague movies that we hear him thinking in French and using movie lines in conversation. Thinking in French in Argentina is not an unusual phenomenon; many 20th century intellectuals like Victoria Ocampo thought in French and then translated (sometimes clumsily) to their native language like Tolstoi's Russian aristocrats a century earlier.
The first half of the movie shows Tellez doing his thing rather pathetically. He is divorced and looking unsuccessfully for a partner and lives in a dark borrowed flat where construction noises are constantly present. He is the very model of a destructive (or rather unfeeling) critic. Although his reviews are altered at will by the newspaper's editor, Tellez believes in his mission of teaching the public to distinguish between good and bad in movies, and we witness an unintended (and devastating) consequence of his pedantry. Obviously, he eschews sentimentality and romanticism as "vulgar."
In the second half, life bursts into Tellez's universe, and I believe the director's intention here is to compare movie scripts and real life. Scripts (especially Nouvelle vague scripts) are usually rich in explaining character's actions (e.g. the obtrusive narrator in Truffaut movies). Tellez himself is writing a movie script and he is repeatedly requested to clarify the intentions and motivations of his characters. Real life situations, however, are usually a lot less clean cut, motivations (including one's own) are obscure or entirely unknown, intentions are equally elusive, meaningless coincidences happen, and sentimentality, romanticism and vulgarity rear their heads in unexpected places.
The script by director Hernán Gerschuny is subtle, witty and low key; as in any superior movie, the message (if any) is not overly explicit and left to the viewer. Gerschuny's direction is flawless, and he is supported by a cast of uniformly excellent actors, beginning with Rafael Spregelburd and Dolores Fonzi. Production values are at the same level. This is Gerschuny's first feature movie. His second (Una Noche de Amor, 2016) is also a must watch. I am looking forward to his future work.
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